🔗 Share this article ‘I truly required a break after that!’ Your most gripping episodes of TV of all time Spooks – I Spy Apocalypse (2003) This installment starts with the MI5 agents restricted during a training exercise concerning a fictional terrorist event, overseen by two Home Office officials. As events unfold, it becomes clear a real incident has taken place and a chemical weapon has been unleashed. The suspense builds as messages indicate a catastrophe taking place outside, and intensifies when the leader seems contaminated, and the two Home Office officials attempt to leave, forcing Matthew Macfadyen’s character to opt for either shooting them or allowing them to leave and potentially infecting the secure MI5 headquarters. This being Spooks, his decision is predictable. The 1984 production Threads The production was inexpensive but one of the most frightening programmes I’ve ever seen because of the stark reality and dismal official figures. Saw it not long ago after seeing the first airing; I often attended the bar in Sheffield featured in the show that highlighted the truth and the glib matter-of-fact official information that were transmitted. Still absolutely terrifying after three and a half decades. Severance – The We We Are (2022) The season one finale of Severance has to be right up there as a tense chapter. I remained for the whole show literally perched nervously, straining every sinew with Dylan to keep his hands on the levers that sustained the Innies’ extended time, while yelling at the Innies to disclose their facts. The concluding高潮 – “she is living!” – felt like an explosion. Industry – White Mischief (2024) The fifth episode of Industry’s third season had my heart racing. I was compelled to halt and rise and depart the area multiple times due to the immense extent of the reckless self-harm I observed. Rishi Ramdani is in major difficulty at work and home – up to his eyeballs in debt from unscrupulous lenders owing to his uncontrollable gaming, assuming hazardous chances with a bet on sterling which could lose his company millions. Inevitably, he starts a gaming binge, does tons of drugs and drink and experiences wins and losses, is severely assaulted. Each instance you believe things cannot decline more, it does. There is a chance for salvation as the installment closes but he misses the opening, resulting in dreadful effects in the season finale. Absolutely had to relax following that! Peep Show – Holiday (2007) The series Peep Show isn’t typically anxiety-inducing. However, the Holiday episode features such degrees of awkwardness that it can cause you to stand for the full show, riddled with anxiety. The tension escalates as Jeremy and Mark discover needing to deceive regarding the dog they unintentionally hit and following tries to eliminate it. You then spend the rest of the episode questioning whether it truly can be worse than incineration, and it can be! The West Wing – The Two Cathedrals (2001) Nothing I’ve watched has been more intense than the first time I watched the season two finale to The West Wing. The episode starts with the aftermath of the demise (in a car crash) of the president’s confidential aide and reaches a crescendo with a crisis in Haiti, and the effects of the withheld information regarding the president’s multiple sclerosis diagnosis, with confirmation of his intention to run for another term. Wonderful television. Unequaled. Bodyguard – episode one from 2018 The beginning of the UK show Bodyguard, with the hero aboard a train accompanied by his small son, ranks among the most gripping episodes I’ve seen. He spots a Muslim woman entering the restroom and senses something is wrong. The bomb squad is alerted, enter the train, and attempt to convince the woman to take off her suicide vest. Suspense rises to a nearly intolerable level, until, finally, the vest is neutralized. Buffy the Vampire Slayer – The Body (2001) Buffy enters her house to discover her mother has died from natural reasons, which is the least common kind of passing in this supernatural show. The episode has no background music, a gloomy atmosphere, and we witness the episode via the perspective of Buffy’s astonishment upon finding her mother. The Sopranos – Made in America from 2007 The concluding moment of the last installment of the program was incredibly anxious. And if you watched it when it originally aired, you – at the start – didn’t understand the cause. Tony’s enemies, real and imagined, had all been defeated. Surely this has the feel of the season one ending? “Recall the minor details.” Yet the atmosphere is strangely foreboding. Nearly Twin Peaks-like fear. The family gathers in a diner. Meadow stops the car. Tony sadly tells Carmela problems are brewing with an additional associate working with the government. Meadow secures a parking space. Unfamiliar individuals come into the diner. Look at Tony(?) Meadow is parking. Tony puts a record on the jukebox. Meadow parks. The bell rings, someone enters the restaurant. It isn’t Meadow, she remains parking. Tony glances upward. Don’t stop. It stops. My spirit fell roughly 20 minutes after. The Walking Dead – The Last Day on Earth (2016) I remained awake to view this installment during the night. It was so intense following the introduction of villain Negan finding the group, mercilessly mocking his targets and then leaving the victim unknown (concluded with a suspenseful moment). The victim’s POV shot and the muffled sounds – argh! {We then had to wait for season seven|We then needed to await season